“By avoiding overt didactic gestures, the piece also remains elusive to the audience, creating an equally conflicted, and politically charged, discourse. Such offers are valuable these days, and a refreshing change from the cynical politics of status-quo that pervades western societies. The approach attacks powerful aesthetic structures through the tools available in the theatre, and in doing so give old approaches to physical theatre a new life."
- Richard Pettifer, Faki Festival, Zagreb, 2018
 
“Watching yesterday I realised how deeply musical this piece is. I mean that in a way that goes well beyond the observation of the skill and control of the three musicians playing Bass Clarinet, Percussion and Violin. The costume and mise-en-scene indicates a theatrical, perhaps expressionist, genre but the timing of the action, the use of repetition, the particular lengths of waiting between events all have a feeling of being driven by an intensely musical sensibility.”
- Steve Batts, Artistic Director, Echo Festival 2019, Derry, Northern-Ireland
 
"Elsa Mourlam (...) drives collective vision without monopolizing it, and is very concerned about communicating with the audiences in a new way, a way that surprises it." 
- Ewan McLaren, Artistic Director Bazaar Festival, Prague