“Loup Abramovici alias HPD shrinks down the topic to the recognizable global context, to political relations in the US, and takes on the role of the first lady Melania, assisted by two theoretical dwarfs, Žižek and Peterson. Abramovici is excellent in his staging of Melania and executes his “performance” on multiple levels. Each act is followed by her sudden and unforeseen death after which she rises in a flash and continues along her outlined path. Death that occurs due to credible causes is thus symbolic, in its essence comical and incredibly telling in its idea of the immortality of an ideology. Which is also religious – the very next moment HPD is transformed into Christ on a cross, once again dying repeatedly and fluid in time."
- Zala Dobovšek, Dnevnik
 
"HPD fiercely embodies the tension between the form and (queer) force, with each new costume he changes the gender, which becomes less and less defined, and together with him/her the audience slowly moves from the system of representations to the intensity of the queer affect. If the performance initially evokes outbursts of laughter over the parodic materialisation of the collective images, it then gradually turns into something more gloomy, the images become more personal, but in their capacity of affecting viewers strangely universal.”
- Jasmina Šepetavc, Neodvisni